Deutscher Filmpreis 2011 2011 GERMAN FILM AWARDS WINNERS

Deutscher Filmpreis 2011 2011 GERMAN FILM AWARDS WINNERS

Deutsche Filmakademie (German Film Academy) held its awards ceremony in Berlin for the 61st Deutscher Filmpreis (German Film Awards), also known as the Lola in honour of Marlene Dietrich’s character in Der blaue Engel (The Blue Angel).

The surprise winner of the Best Film Lola in Gold was the Tourette’s Syndrome romantic comedy Vincent will meer (Vincent Wants to Sea) by Ralf Huettner. It also captured the Best Actor prize for its star and screenwriter Florian David Fitz.

Vincent Will Meer Vincent Want To Sea 2011 GERMAN FILM AWARDS WINNERS

Almanya, Dir. Yasemin Samdereli was the runner-up with the Silver award, while Andres Veiel’s Wer wenn nicht wir (If Not Us, Who?) took the Bronze. Almanya also won Best Screenplay for Nesrim Samdereli and Yasemin Samdereli. The other nominees for Best Film were Drei (Three) by Tom Tykwer, Der Ganz Grosse Traum (The Really Big Dream) by Sebastian Grobler and Philipp Stolzl’s Goethe! (Young Goethe in Love).

Drei (Three) was winner for Best Director (Tom Tykwer), Best Actress (Sophie Rois) and Best Editor. It was Tykwer’s first German-language film in a decade. Goethe! (Young Goethe in Love) captured the award for Best Makeup.

The most awards on the night went to Chris Kraus’ Poll (The Poll Diaries), which received prizes for Supporting Actor (Richy Muller), Cinematography, Production Design and Costume Design.

The winner for Best Documentary was Wim Wenders’ Pina, the 3-D portrait of the late dancer and choreographer Pina Bausch.

A Lifetime Achievement award was presented to screenwriter Wolfgang Kohlhaase.

 

2011 GERMAN FILM AWARDS WINNERS

Best Film | Bester programmfüllender Spielfilm


SILVERAlmanya – Willkommen in Deutchland (Almanya – Welcome to Germany), Yasemin Samdereli
Der Ganz Große Traum, Sebastian Grobler
Drei (Three), Tom Tykwer
Goethe! (Young Goethe in Love), Philipp Stölzl
GOLDVincent Will Meer (Vincent Wants to Sea), Ralf Huettner
BRONZEWer Wenn Nicht Wir (If Not Us, Who), Andres Veiel

Almanya Willkommen In Deutschland 211x300 2011 GERMAN FILM AWARDS WINNERS Der Ganz Grosse Traum 212x300 2011 GERMAN FILM AWARDS WINNERS Das Lied in Mir 212x300 2011 GERMAN FILM AWARDS WINNERS

Goethe 213x300 2011 GERMAN FILM AWARDS WINNERS Wincent Will Meer 211x300 2011 GERMAN FILM AWARDS WINNERS Wer Wenn Nicht Wir 212x300 2011 GERMAN FILM AWARDS WINNERS

 

Best Documentary | Bester programmfüllender Dokumentarfilm


Kinshasa Symphony by Claus Wischmann and Martin Baer
Pina by Wim Wenders WINNER

Kinsasha Symphony 2011 GERMAN FILM AWARDS WINNERS Pina 2011 GERMAN FILM AWARDS WINNERS

 

Best Children’s Film | Bester programmfüllender Kinderfilm


Chandani Und Ihr Elefant (Chandani: The Daughter of the Elephant Whisperer) by Arne Birkenstock WINNER
Konferenz Der Tiere (Animals United) by Holger Tappe and Reinhard Klooss

 

Best Screenplay | Bestes Drehbuch


Miraz Bezar for Min Dit – Die Kinder Von Diyarbarkir (Min Dit: The Children of Diyarbakir)
Florian David Fitz for Vincent Will Meer (Vincent Wants to Sea)
Nesrim Samdereli and Yasemin Samdereli for Almanya – Willkommen in Deutchland (Almanya – Welcome to Germany) WINNER

 

Best Director | Beste Regie


Florian Cossen for Das Lied In Mir (The Day I Was Not Born)
Tom Tykwer for Drei (Three) WINNER
Wim Wenders for Pina (Pina)

Das Lied in Mir 2011 GERMAN FILM AWARDS WINNERS Drei 211x300 2011 GERMAN FILM AWARDS WINNERS Pina 2011 GERMAN FILM AWARDS WINNERS

 

Best Actress in a Leading Role | Beste darstellerische Leistung – weibliche Hauptrolle


Bernadette Heerwagen in Die Kommenden Tage (Days to Come)
Lena Lauzemis in Wer Wenn Nicht Wir (If Not Us, Who)
Sophie Rois in Drei (Three) WINNER

 

Best Actor in a Leading Role | Beste darstellerische Leistung – männliche Hauptrolle


August Diehl in Wer Wenn Nicht Wir (If Not Us, Who)
Alexander Fehling in Goethe! (Young Goethe In Love)
Florian David Fitz in Vincent Will Meer (Vincent Wants to Sea) WINNER

 

Best Supporting Actress | Beste darstellerische Leistung – weibliche Nebenrolle


Meret Becker in Boxhagener Platz (Boxhagener Platz)
Katharina Müller-Elmau in Vincent Will Meer (Vincent Wants to Sea)
Beatriz Spelzini in Das Lied In Mir (The Day I Was Not Born) WINNER

 

Best Supporting Actor | Beste darstellerische Leistung – männliche Nebenrolle


Vedat Erincin in Shahada (Faith)
Heino Ferch in Vincent Will Meer (Vincent Wants to Sea)
Richy Müller in Poll (The Poll Diaries) WINNER

Poll 2011 GERMAN FILM AWARDS WINNERS

 

Best Cinematography | Beste Kamera / Bildgestaltung


Matthias Fleischer for Das Lied In Mir (The Day I Was Not Born)
Daniela Knapp for Poll (The Poll Diaries) WINNER
Martin Langer for Der Ganz Große Traum

 

Best Editing | Bester Schnitt


Mathilde Bonnefoy for Drei (Three) WINNER
Ueli Christen for Wir Sind Die Nacht (We Are the Night)
Hansjörg Weißbrich for Wer Wenn Nicht Wir (If Not Us, Who)

 

Best Production Design | Bestes Szenenbild


Silke Buhr for Poll (The Poll Diaries) WINNER
Christian M. Goldbeck for Wer Wenn Nicht Wir (If Not Us, Who)
Udo Kramer for Goethe! (Young Goethe In Love)

 

Best Costume Design | Bestes Kostümbild


Monika Jacobs for Der Ganz Große Traum
Thomas Oláh for Jud Suss – Film Ohne Gewissen (Jew Suss: Rise and Fall)
Gioia Raspé for Poll (The Poll Diaries) WINNER

 

Best Make-Up | Bestes Maskenbild


Kitty Kratschke and Heike Merker for Goethe! (Young Goethe In Love) WINNER
Björn Rehbein for Jud Suss – Film Ohne Gewissen (Jew Suss: Rise and Fall)
Susana Sánchez for Poll (The Poll Diaries)

 

Best Score | Beste Filmmusik


Matthias Klein for Das Lied In Mir (The Day I Was Not Born) WINNER
Heiko Maile for Wir Sind Die Nacht (We Are the Night)
Tom Tykwer, Johnny Klimek, Reinhold Heil and Gabriel Isaac Mounsey for Drei (Three)

 

Best Sound | Beste Tongestaltung


Manfred Banach, Christian Conrad and Tschangis Chahrokh for Jerry Cotton (Jerry Cotton)
Ansgar Frerich, Sabine Panossian and Niklas Kammertöns for Pianomania – Die Suche nach Dem Perfekten Klang (Pianomania) WINNER
Frank Kruse, Matthias Lempert and Arno Wilms for Drei (Three)

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Deutscher Filmpreis 2011 2011 GERMAN FILM AWARDS NOMINEES

Deutscher Filmpreis 2011 2011 GERMAN FILM AWARDS NOMINEES

The nominees in the 16 categories of the Deutscher Filmpreis 2011 (German Film Academy’s Lola Awards) were announced Friday at a press conference attended by Culture Minister Bernd Neumann, Academy president Iris Berben and its joint directors Christiane Paul and Burghart Klaußner.

The major favourite is Tom Tykwer’s latest film, Three, in which an attractive but disenchanted married couple see the balance in their relationship change with the arrival of a young lover. Produced by Berlin-based X Filme Creative Pool, the film is nominated in six categories, including Best Film and Best Director – for which Tykwer will be up against Wim Wenders for the documentary Pina

The Lola Awards ceremony will be held on April 8 at the Friedrichstadtpalast in Berlin.

2011 GERMAN FILM AWARDS NOMINEES | DEUTSCHER FILMPREIS 2011 NOMINIERUNGER

 

Best Film | Bester programmfüllender Spielfilm


Almanya – Willkommen in Deutchland (Almanya – Welcome to Germany), Yasemin Samdereli
Der Ganz Große Traum, Sebastian Grobler
Drei (Three), Tom Tykwer
Goethe! (Young Goethe in Love), Philipp Stölzl
Vincent Will Meer (Vincent Wants to Sea), Ralf Huettner
Wer Wenn Nicht Wir (If Not Us, Who), Andres Veiel

Almanya Willkommen In Deutschland 211x300 2011 GERMAN FILM AWARDS NOMINEES Der Ganz Grosse Traum 212x300 2011 GERMAN FILM AWARDS NOMINEES Das Lied in Mir 212x300 2011 GERMAN FILM AWARDS NOMINEES

Goethe 213x300 2011 GERMAN FILM AWARDS NOMINEES Wincent Will Meer 211x300 2011 GERMAN FILM AWARDS NOMINEES Wer Wenn Nicht Wir 212x300 2011 GERMAN FILM AWARDS NOMINEES

 

Best Documentary | Bester programmfüllender Dokumentarfilm


Kinshasa Symphony by Claus Wischmann and Martin Baer
Pina by Wim Wenders

Kinsasha Symphony 2011 GERMAN FILM AWARDS NOMINEES Pina 2011 GERMAN FILM AWARDS NOMINEES

 

Best Children’s Film | Bester programmfüllender Kinderfilm


Chandani Und Ihr Elefant (Chandani: The Daughter of the Elephant Whisperer) by Arne Birkenstock
Konferenz Der Tiere (Animals United) by Holger Tappe and Reinhard Klooss

 

Best Screenplay | Bestes Drehbuch


Miraz Bezar for Min Dit – Die Kinder Von Diyarbarkir (Min Dit: The Children of Diyarbakir)
Florian David Fitz for Vincent Will Meer (Vincent Wants to Sea)
Nesrim Samdereli and Yasemin Samdereli for Almanya – Willkommen in Deutchland (Almanya – Welcome to Germany)

 

Best Director | Beste Regie


Florian Cossen for Das Lied In Mir (The Day I Was Not Born)
Tom Tykwer for Drei (Three)
Wim Wenders for Pina (Pina)

Das Lied in Mir 2011 GERMAN FILM AWARDS NOMINEES Drei 211x300 2011 GERMAN FILM AWARDS NOMINEES Pina 2011 GERMAN FILM AWARDS NOMINEES

 

Best Actress in a Leading Role | Beste darstellerische Leistung – weibliche Hauptrolle


Bernadette Heerwagen in Die Kommenden Tage (Days to Come)
Lena Lauzemis in Wer Wenn Nicht Wir (If Not Us, Who)
Sophie Rois in Drei (Three)

 

Best Actor in a Leading Role | Beste darstellerische Leistung – männliche Hauptrolle


August Diehl in Wer Wenn Nicht Wir (If Not Us, Who)
Alexander Fehling in Goethe! (Young Goethe In Love)
Florian David Fitz in Vincent Will Meer (Vincent Wants to Sea)

 

Best Supporting Actress | Beste darstellerische Leistung – weibliche Nebenrolle


Meret Becker in Boxhagener Platz (Boxhagener Platz)
Katharina Müller-Elmau in Vincent Will Meer (Vincent Wants to Sea)
Beatriz Spelzini in Das Lied In Mir (The Day I Was Not Born)

 

Best Supporting Actor | Beste darstellerische Leistung – männliche Nebenrolle


Vedat Erincin in Shahada (Faith)
Heino Ferch in Vincent Will Meer (Vincent Wants to Sea)
Richy Müller in Poll (The Poll Diaries)

Poll 2011 GERMAN FILM AWARDS NOMINEES

 

Best Cinematography | Beste Kamera / Bildgestaltung


Matthias Fleischer for Das Lied In Mir (The Day I Was Not Born)
Daniela Knapp for Poll (The Poll Diaries)
Martin Langer for Der Ganz Große Traum

 

Best Editing | Bester Schnitt


Mathilde Bonnefoy for Drei (Three)
Ueli Christen for Wir Sind Die Nacht (We Are the Night)
Hansjörg Weißbrich for Wer Wenn Nicht Wir (If Not Us, Who)

 

Best Production Design | Bestes Szenenbild


Silke Buhr for Poll (The Poll Diaries)
Christian M. Goldbeck for Wer Wenn Nicht Wir (If Not Us, Who)
Udo Kramer for Goethe! (Young Goethe In Love)

 

Best Costume Design | Bestes Kostümbild


Monika Jacobs for Der Ganz Große Traum
Thomas Oláh for Jud Suss – Film Ohne Gewissen (Jew Suss: Rise and Fall)
Gioia Raspé for Poll (The Poll Diaries)

 

Best Make-Up | Bestes Maskenbild


Kitty Kratschke and Heike Merker for Goethe! (Young Goethe In Love)
Björn Rehbein for Jud Suss – Film Ohne Gewissen (Jew Suss: Rise and Fall)
Susana Sánchez for Poll (The Poll Diaries)

 

Best Score | Beste Filmmusik


Matthias Klein for Das Lied In Mir (The Day I Was Not Born)
Heiko Maile for Wir Sind Die Nacht (We Are the Night)
Tom Tykwer, Johnny Klimek, Reinhold Heil and Gabriel Isaac Mounsey for Drei (Three)

 

Best Sound | Beste Tongestaltung


Manfred Banach, Christian Conrad and Tschangis Chahrokh for Jerry Cotton (Jerry Cotton)
Ansgar Frerich, Sabine Panossian and Niklas Kammertöns for Pianomania – Die Suche nach Dem Perfekten Klang (Pianomania)
Frank Kruse, Matthias Lempert and Arno Wilms for Drei (Three)

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the usual suspects dvd THE USUAL SUSPECTS (1994) : MOVIE REVIEW
C RATE THE USUAL SUSPECTS (1994) : MOVIE REVIEW
This is the film which started my films collections. The first pirated movie VCD ever that I bought back in 2000 but only managed to watched it once throughout the times. Last night was my second time after decided to buy its DVD copy. My first experience with the movie didn’t going quiet well. After watched it for the first time in 2000, I thought the movie was so overrated. I didn’t know why people love this film so much, the critics love this film so much, even IMDb listed this between no. 20 in their 250 greatest films ever.
So as a starter for this blog, I decided to watched this film again with the intention to try to re-evaluate my first thought about it. Unfortunately, my second experience bring me the ‘usual suspect’. OVERRATED. I agreed that the film has the clever film ending with the surprise element but not the greatest one, and the second time viewing make it worse when I didn’t feel the surprise anymore. Not to mention the slow development of the story and the characters.
There’s nothing more to write about this film except its great screenplay (won Best Writing, Screenplay Written Directly for the Screen at the Oscar and BAFTA 1996) and the performance of the ensemble casts especially Kevin Spacey and yes the directorial of Bryan Singer who’s at the time was merely 20′s something. This is the film which put them both on the map.
To prevent any spoilers, I stop here but I do recommend you to watch this film by yourself and make you own judgment to my ‘usual suspect’.

Police investigating an exploded boat on a San Pedro pier discover 27 bodies and $91 million worth of drug money. The only survivors are a severely burned and very scared Hungarian terrorist and Verbal Kint (Kevin Spacey), a crippled con-man. Reluctantly, Kint is pressured into explaining exactly what happened on the boat. His story begins six weeks earlier with five criminals being dragged in by New York police desperate for suspects on a hijacked truck and ends with the possible identification of a criminal mastermind.

Rating: C

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